Glastonbury Abbey, Glastonbury, England


Glastonbury Abbey – Judges Ltd
Publisher: Judges Ltd

Google Street View.

Glastonbury Abbey: Archaeological Investigations 1904–79 (online book)

The abbey holds a special place in English identity and popular culture. In the middle ages it was reputed to be the burial place of the legendary King Arthur and his queen Guinevere, and was regarded as the site of the earliest church in Britain, thought to have been founded by Joseph of Arimathea. According to the Gospels, Joseph was the man who had donated his own tomb for the body of Christ following the crucifixion.
Glastonbury Abbey Archaeology

“The First Christian Church in Britain.”

The abbey was founded in the 7th century and enlarged in the 10th. It was destroyed by a major fire in 1184, but subsequently rebuilt and by the 14th century was one of the richest and most powerful monasteries in England. The abbey controlled large tracts of the surrounding land and was instrumental in major drainage projects on the Somerset Levels. The abbey was suppressed during the Dissolution of the Monasteries under King Henry VIII of England. The last abbot, Richard Whiting (Whyting), was hanged, drawn and quartered as a traitor on Glastonbury Tor in 1539.
Wikipedia

When the monastic buildings were destroyed in the fire of 1184, the medieval monks needed to find a new place to worship. There is evidence that the 12th century nave was renovated and used for this purpose for almost 30 years, until some of the work was completed on the new church. The monks reconsecrated the Great Church and began services there on Christmas Day, 1213, most likely before it was entirely completed.
Glastonbury Abbey


Choir & Site of High Altar, Glastonbury Abbey
c.1920
Same publisher as “Abbot’s Kitchen” card at bottom

Read moreGlastonbury Abbey, Glastonbury, England

Ridderzaal, The Hague, Netherlands


Den Haag, Ridderzaal
(Knight’s Hall, The Hague)
Publisher: N.V. Uitg[ever?], Utrecht

Google Street View.

The Binnenhof (Dutch for Inner Court) is a complex of buildings in The Hague (also known as Den Haag) that has been the main meeting place of The Netherlands governance since 1446. Building started in the 13th century, the complex originally functioned as the castle residence of the Earls (or Counts) of Holland. The Main Hall, which has been called the Knights’ Hall since the 19th century, dates from the second half of the 13th century. The famous vaulted wooden ceiling was the largest of its kind for hundreds of years and was inspired by the ship building industry of that time. Since 1904 the Knights’ Hall has been the setting for the reading of the King’s speech at the annual opening of Parliament. In his speech, the King announces the Government’s plans for the coming year to the parliament and to the Dutch people.
(includes text & images tour)

The Ridderzaal is the main building of the 13th-century inner square of the former castle of the counts of Holland called Binnenhof at the address Binnenhof 11 in The Hague, Netherlands. It is used for the state opening of Parliament on Prinsjesdag, when the Dutch monarch drives to Parliament in the Golden Coach and delivers the speech from the throne. It is also used for official royal receptions, and interparliamentary conferences.

In the 13th century Floris IV, Count of Holland bought a piece of land next to a small lake to build a house on. The Ridderzaal, the manorial hall of Floris V, grandson of Floris IV, was built on this estate in the 13th century. Over the centuries, the government buildings developed around this lake and incorporated the Ridderzaal. From the early 17th century, the Ridderzaal became an important trading place for booksellers, as Westminster Hall was in London. In later centuries it served a variety of purposes – as a market hall, a promenade, a drill hall, a public record office, a hospital ward, even the offices of the state lottery. It was restored between 1898 and 1904 to serve its present purposes.
Wikipedia


On back:
Den Haag
Ridderzaal – Intérieur

Publisher: Weenenk & Snel, den Haag (1908-1958)

Haddon Hall, Bakewell, England


Haddon Hall, Banqeting Hall
Dated on back: 12 July 1920
Publisher: Francis Frith & Co, Reigate

Google Maps

Haddon Hall, the private residence of Lord and Lady Edward Manners, is set in the Peak District in the valley of the River Wye. With nine hundred years of history, it is one of the oldest houses in the country and moreover one of the only houses in England to have remained in one family’s ownership for its entire existence.

Haddon is unique as it remained empty for nearly two hundred years. This extraordinary period, when time stood still in the Hall, allowed it to remain unaltered during the modernising period of the Georgians and Victorians. So venturing into Haddon is like stepping back in time, since from the 1700s the family preferred to live at their main seat, Belvoir Castle in Leicestershire.

The Medieval Banqueting Hall remains furnished with its original Dais table, behind which hangs a tapestry gifted to the family by visiting Henry VIII.
Haddon Hall (official website)

That John Manners’ son was John, the 9th Earl, and was made 1st Duke of Rutland in 1703. He moved to Belvoir Castle, and his heirs used Haddon Hall very little, so it lay almost in its unaltered 16th-century condition, as it had been when it passed in 1567 by marriage to the Manners family. In the 1920s, another John Manners, the 9th Duke of Rutland, realised its importance and began a lifetime of meticulous restoration, with his restoration architect Harold Brakspear. The current medieval and Tudor hall includes small sections of the 11th-century structure, but it mostly comprises additional chambers and ranges added by the successive generations of the Vernon family. Major construction was carried out at various stages between the 13th and the 16th centuries. The banqueting hall (with minstrels’ gallery), kitchens and parlour date from 1370, and the St. Nicholas Chapel was completed in 1427. For generations, whitewash concealed and protected their pre-Reformation frescoes.
Wikipedia.

Vicars’ Close & Wells Cathedral, Wells, Somerset, England


Vicars’ Close, Wells
No date or publishers clues (About 1920, give or take a decade.)

The body of Vicars Choral has been in existence since the 1100s, singing the daily round of divine services in the Cathedral in place of the canons. Initially they lodged among the townsfolk rather than on Cathedral grounds, allowing them to succumb to worldly temptation. To rectify this unsatisfactory situation, in 1348 Bishop Ralph of Shrewsbury founded a College of Vicars, of whom there were more than forty, and provided a communal hall and buildings for accommodation grouped around a quadrangle, in much the same manner as an Oxford or Cambridge college. Bishop Ralph also endowed the Vicars with a landed estate which provided them with a small income. In the early fifteenth century a chapel was built for the Vicars, and the quadrangle was converted into a street, now known as Vicars’ Close. Largely undisturbed, Vicars’ Close is the oldest continually inhabited street in Europe and still houses the organists and the men of the choir, as well as other employees of the Cathedral.
Wells Cathedral

The first houses on this attractive street, close to Wells Cathedral in Somerset, were constructed during the mid 14th century and the street was completed about a century later. The area was initially used to house a group of chantry priests. Although changes and improvements have been made over the years, the properties are still essentially the same as they were centuries ago. Almost all of the 27 houses on Vicars’ Close are protected as grade 1 listed buildings. The street derived from a significant land grant by the canon of Wells Cathedral, Walter de Hulle. The chantry priests were supported by the rents from tenants who lived on the land.

During the 12th century, the group of clergy who served the cathedral were responsible for chanting the divine service eight times a day and were known as the Vicars Choral. At the end of the street is the Vicars’ Hall which housed several communal and administrative offices relating to the Vicars Choral. In particular, was a room associated with the collection of rents used to support the clergy. This hall contains a gateway that links Vicars’ Close to St Andrew Street.

Atlas Obscura

The residences are built of stone from the Mercia Mudstone Group. There were originally 22 houses on the east side and 20 on the west. They line each side of a quadrangle which appears longer than it is because of false perspective achieved by building the houses at the upper northern end nearest the chapel 9 feet (2.7 m) closer together than those at the lower southern end closest to the Vicars’ Hall. Each house originally comprised a ground floor hall of approximately 20 by 13 feet (6.1 by 4.0 m) and an upper floor of the same size. Both had a fireplace in the front wall. Washing facilities and a latrine were outside the back door. The date of some of the buildings is unclear but it is known that some had been built by 1363 and the rest were completed by 1412.
Wikipedia.


Wells Cathedral  [View] from North West

Street View

Commandery, Worcester, Worcestershire, England


Worcester–ye Antient Commandery–Interior of the Hall shewing Oriel Window

Published: Joseph Littlebury, The Commandery, Worcester

Wikipedia

Street View

Tradition has it that the building was founded as a hospital around 1085 by Saint Wulfstan, the then Bishop of Worcester. The hospital was built around a much earlier Saxon chapel dedicated to Saint Gudwal – which was located to the South of the present building. The building attributed to Saint Wulfstan was a monastic institution designed to act as a hospital. It seems to have been established with the needs of travellers in mind. Its location, just outside the city walls beside the Sidbury gate, put it at the junction of the main roads from London, Bath and Bristol. Here it could provide travellers with aid should they arrive after the closing of the gates at night.

After serving its original function for nearly 500 years, the hospital was among the last monastic institutions to be dissolved by Henry VIII in 1540. From this date onwards The Commandery was to fulfil a number of vastly varied roles, from peaceful family home, to site of the final bloody battle of the English Civil War. The building itself would undergo a range of improvements, repairs and renovations throughout its history as each successive owner sought to leave their mark on this fascinating structure.

The Commandery was given a dramatic new purpose in 1651 when Charles Stuart (later Charles II) marched into Worcester on the 22nd August 1651 at the head of 13,000 men and set up his Headquarters in the city. William, 2nd Duke of Hamilton, was the Royalist Commander in Chief and he and other officers were billeted at The Commandery.
Museums Worcestershire

Westminster Abbey, London


Westminster Abbey

Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is a large, mainly Gothic abbey church in the City of Westminster, London, England, just to the west of the Palace of Westminster. It is one of the United Kingdom’s most notable religious buildings and the traditional place of coronation and burial site for English and, later, British monarchs. The building itself was a Benedictine monastic church until the monastery was dissolved in 1539. Between 1540 and 1556, the abbey had the status of a cathedral. Since 1560, the building is no longer an abbey or a cathedral, having instead the status of a Church of England “Royal Peculiar”—a church responsible directly to the sovereign. According to a tradition first reported by Sulcard in about 1080, a church was founded at the site (then known as Thorn Ey (Thorn Island)) in the seventh century, at the time of Mellitus, a Bishop of London. Construction of the present church began in 1245, on the orders of King Henry III.
Wikipedia.

Official Website


London, Westminster Abbey (West front).

Read moreWestminster Abbey, London

Abbot’s Kitchen, Glastonbury Abbey, Glastonbury, England

Postcards of Glastonbury Abbey


Abbot’s Kitchen & Refectory, Glastonbury
c.1920

Google Street View.

In the 14th century, as the head of the second wealthiest abbey in Britain (behind Westminster Abbey), the Abbot of Glastonbury lived in considerable splendour and wielded tremendous power. The main surviving example of this power and wealth is to be found in the Abbot’s Kitchen – part of the magnificent Abbot’s house begun by John de Breynton (1334-42).
Glastonbury Abbey

To the south-west of the cloister, a separate complex of rooms provided grand accommodation for the abbot and his guests. Today, the standing buildings consist of the kitchen and one corner of the giant hall, begun after 1322 and completed by 1342. They formed parts of a palatial residence of three ranges, arranged around a central walled garden.
Glastonbury Abbey Archaeology (includes digital reconstruction)

The Abbot’s Kitchen is a mediaeval octagonal building that served as the kitchen at Glastonbury Abbey in Glastonbury, Somerset, England. It is a Grade I listed building. The abbot’s kitchen has been described as “one of the best preserved medieval kitchens in Europe”. The stone-built construction dates from the 14th century and is one of a very few surviving mediaeval kitchens in the world.

Historically, the Abbot of Glastonbury lived well, as demonstrated by the abbot’s kitchen, with four large fireplaces at its corners. The kitchen was part of the opulent abbot’s house, begun under Abbot John de Breynton (1334–1342). It is one of the best preserved medieval kitchens in Europe and the only substantial monastic building surviving at Glastonbury Abbey. The abbot’s kitchen has been the only building at Glastonbury Abbey to survive intact. Later it was used as a Quaker meeting house.
Wikipedia.

Read moreAbbot’s Kitchen, Glastonbury Abbey, Glastonbury, England

Baptistery, Cathedral & Campianile, Pisa, Italy


PISA – Duomo, Battistero e Campanile dell alto

Baptistery, Cathedral & Campianile (bell tower)

The Pisa Baptistery of St. John (Italian: Battistero di San Giovanni) is a Roman Catholic ecclesiastical building in Pisa, Italy. Construction started in 1152 to replace an older baptistery, and when it was completed in 1363, it became the second building, in chronological order, in the Piazza dei Miracoli, near the Duomo di Pisa and the cathedral’s free-standing campanile.
Wikipedia: Pisa Baptisery
Wikipedia: Pisa Cathedral

The square of the Cathedral of Pisa represents the best example of the Pisa Romanesque style through its magnificence and perfection, a harmonious fusion of classical, early Christian, Lombard and eastern motifs. The buildings maintain a stylish unity. The Cathedral, the Tower, the Baptistery and the Camposanto represent together the allegory of human life.
Piazza del Duomo


PISA – Il Campanile
The Bell Tower

Wikipedia: Leaning Tower of Pisa

Bargello, Florence


FIRENSE – Cortile e scala del Bargello
Bargello courtyard & staircase

Official Website

The Bargello, also known as the Palazzo del Bargello, Museo Nazionale del Bargello, or Palazzo del Popolo (Palace of the People), is a former barracks and prison, now an art museum, in Florence, Italy. . . . The word bargello appears to come from the late Latin bargillus (from Gothic bargi and German burg), meaning “castle” or “fortified tower”. During the Italian Middle Ages it was the name given to a military captain in charge of keeping peace and justice (hence “Captain of justice”) during riots and uproars. In Florence he was usually hired from a foreign city to prevent any appearance of favoritism on the part of the Captain. The position could be compared with that of a current Chief of police. The name Bargello was extended to the building which was the office of the captain.
. . .
Construction began in 1255. The palace was built to house first the Capitano del Popolo and later, in 1261, the ‘podestà’, the highest magistrate of the Florence City Council. This Palazzo del Podestà, as it was originally called, is the oldest public building in Florence. This austere crenellated building served as model for the construction of the Palazzo Vecchio. In 1574, the Medici dispensed with the function of the Podestà and housed the bargello, the police chief of Florence, in this building, hence its name. It was employed as a prison; executions took place in the Bargello’s yard until they were abolished by Grand Duke Peter Leopold in 1786, but it remained the headquarters of the Florentine police until 1859. When Leopold II, Holy Roman Emperor Peter Leopold was exiled, the makeshift Governor of Tuscany decided that the Bargello should no longer be a jail, and it then became a national museum.

Wikipedia.

TERMINOLOGY
The word “bargello” appears to derive from the late latin noun bargillus, meaning “castle” or “fortified tower“. Bargello was the title attributed to a military captain, precisely the “Captain of justice”, who from 1554, under Duke Cosimo I, made arrests, conducted interrogations, and carried out death sentences.

THE PALACE
The Bargello was used as a prison until 1786, when the Grand Duke Pietro Leopoldo abolished capital punishment. Consequently, from this time on, the Bargello no longer held executions. The Bargello next served as the headquarters of the Florentine police until 1859. When Pietro Leopoldo II was exiled, the makeshift Governor of Tuscany decided that the Bargello should no longer be a jail, thereby becoming a national museum. Construction of the palace began in 1255 when Lapo Tedesco, an Italian architect of the XIII century, incorporated the old palace, the tower of Boscoli, the property of an ancient Florentine family, as well as certain houses and towers belonging to the Badia Fiorentina. Subsequently, the palace was merged with a new building on Via dell’Acqua, and in 1295, its arcaded courtyard was created. Between 1340 and 1345, the famous Italian architect Neri di Fioravante added another story to the building. The Bargello was designed around an open courtyard with an external staircase leading to the second floor. An open well is located in the center of the courtyard.
Florence Inferno

The National Museum has its setting in one of the oldest buildings in Florence that dates back to 1255. Initially the headquarters of the Capitano del Popolo (Captain of the People) and later of the Podestà, the palace became, in the sixteenth century, the residence of the Bargello that is of the head of the police (from which the palace takes its name) and was used as prison during the whole 18th century. Its walls witnessed important episodes of civic history. It was the meeting place of the Council of the Hundred in which Dante took part. It wituessed sieges, fires, executions, the most famous perhaps being that of Baroncelli, involved in the Pazzi plot against the Medici, which Leonardo also witnessed. During the 14th and 15th century, the palace was subjected to a series of alterations and additions, still preserving its harmonious severity, best seen in the beautiful courtyard, the balcony and the large hall on the first floor.

The building’s use as National Museum began in the mid-19th century. Today it is the setting for works of sculpture, mainly from the grand ducal colleotions, and for many examples of “minor” Gothic decorative arts.
Museums in Florence

The entrance of the museum gives access to the inner courtyard, where criminals were executed until 1786. The walls are decorated with coats of arms representing high ranking officials and city districts. . . . The staircase on the inner court leads to an arcaded gallery known as the Verone, where you’ll encounter a number of marble sculptures by GiamBologna, a Flemish artist who worked in Florence for most of his life.
A View on Cities

Guidhall (Palazzo dell’Arte della Lana), Florence


FIRENZE – Palazzo dell’Arte della Lana
c.1910

The Arte della Lana was the wool guild of Florence during the Late Middle Ages and in the Renaissance. It was one of the seven Arati Maggiori (“greater trades”) of Florence, separate from the Arti Minori (the “lesser trades”) and the Arti Mediane (the “middle trades”). The Arte della Lana dealt in woollen cloth and cooperated with the other corporations of bankers and merchants in administering the commune, both under the podestà and the Republic of Florence.

At the height of the industry the Arte della Lana directly employed 30.000 workers and indirectly about a third of Florence’s population, and produced 100,000 lengths of cloth annually. The Arte della Lana saw all the processes from the raw baled wool through the final cloth, woven at numerous looms scattered in domiciles throughout the city. Like other guilds, the Arte served only to coordinate the activities of its own members, who did not generally own the means of production or directly manage the processes. Its syndics ensured that quality standards were met and contracts were honored. The predecessor and until the mid-14th century the rival of the Arte della Lana was the powerful Arte di Calimala, a corporation of importers of raw cloth, who dyed and finished it.

The guildhall, the Palazzo dell’Arte della Lana, was completed in 1308, with an attached fortifiable tower-house. From its interior, where some 14th-century frescoes remain, a gallery designed by Bernardo Buontalenti links the palazzo with the church of Orsanmichele. The palazzo is now the seat of the Società Dantesca.
Wikipedia.

Wikimedia Commons: interior photos