Marble Arch is a 19th-century white marble-faced triumphal arch in London, England. The structure was designed by John Nash in 1827 to be the state entrance to the cour d’honneur of Buckingham Palace; it stood near the site of what is today the three-bayed, central projection of the palace containing the well-known balcony. In 1851, on the initiative of architect and urban planner Decimus Burton, a one-time pupil of John Nash, it was relocated and following the widening of Park Lane in the early 1960s to where it is now sited, incongruently isolated, on a large traffic island at the junction of Oxford Street, Park Lane and Edgware Road. . . . Nash’s three-arch design is based on that of the Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris. The triumphal arch is faced with Carrara marble with embellishments of marble extracted from quarries near Seravezza. . . . Construction began in 1827, but was cut short in 1830, following the death of the spendthrift King George IV—the rising costs were unacceptable to the new king, William IV, who later tried to offload the uncompleted palace onto Parliament as a substitute for the recently destroyed Palace of Westminster. Work restarted in 1832, this time under the supervision of Edward Blore, who greatly reduced Nash’s planned attic stage and omitted its sculpture, including the statue of George IV. The arch was completed in 1833.
The pride of the people of Rouen, the astronomic clock lays on a Renaissance arch spanning the busy street of rue du Gros-Horloge. This popular tourist landmark in the old town of Rouen is flanked by a Gothic belfry from the 14th century.
Gros-Horloge, the pride of Rouen
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Running between the Gothic cathedral made famous by Claude Monet and the old market square where Joan of Arc was burned at the stake is a pedestrianised street called ‘Rue du Gros-Horloge’. This quaint street with many timber-framed buildings is named after Le Gros Horloge, a Renaissance clock set in an arch over the street. The clock’s movement was made in 1389, and installed in the adjacent belfry that was constructed at the same time. The bells in the belfry were the first set of municipal bells in Rouen. At this time there was no dial to the clock. With the construction of the arch between 1527 and 1529, the clock was moved to the arch and attached to two identical dials – one on each side of the arch. Each dial is about two and a half meters in diameter.
The dials are rich in astronomical symbolism. A single hand points out the hour of the day, moving over 24 golden sun-rays and encircled by a blue starry night. The phases of the moon are indicated on a small sphere directly above the dial. On the opposite side, below the hour of VI, a panel reveals the day of the week, symbolised by the god of the day: Monday is represented by the Moon, Tuesday by Mars, Wednesday by Mercury for Wednesday, Thursday by Jupiter, Venus by Friday, Saturday by Saturn and Apollo indicates Sunday.
Le Gros Horloge: Renaissance Time in Rouen
Though it’s been run by an electric mechanism since the early 20th century, the old clockwork mechanism from the 1300s is still there, in situ, and is theoretically still in good working order if it were to be hitched back up. It was one of the earliest clocks to sound bells at the quarter of the hour, not just on the hour. The two clock faces also have black and silver globes above them that display the phase of the moon.
The Great Clock of Rouen (has photos of inside of clock tower)