Casino de Monte Carlo, Monaco


Monte-Carlo. — Façade nord du Casino.

Published Neurdien & Co, Paris. (1916-1918 or pre-1919)

Website.
Virtual tour (once inside, the grid in the top left is the easiest way to get around).


“Casino de Monte Carlo.– Autour de la Roulette. –LL”
Roulette Table c.1915
Salle Europe.

The idea of opening a gambling casino in Monaco belongs to Princess Caroline, a shrewd, business-minded spouse of Prince Florestan I. Revenues from the proposed venture were supposed to save the House of Grimaldi from bankruptcy. The ruling family’s persistent financial problems became especially acute after the loss of tax revenue from two breakaway towns, Menton and Roquebrune, which declared independence from Monaco in 1848 and refused to pay taxes on olive oil and fruit imposed by the Grimaldis.

In 1854, Charles, Florestan’s son and future Prince of Monaco, recruited a team of Frenchmen—writer Albert Aubert and businessman Napoleon Langlois—to devise a development plan and write a prospectus to attract 4 million francs needed to build a spa for the treatment of various diseases, a gambling casino modeled from the Bad Homburg casino, and English-styled villas. Granted the concession of 30 years to operate a bathing establishment and gaming tables, Aubert and Langlois opened the first casino at 14 December 1856 in Villa Bellevu. Intended to be only a temporary location, the building was a modest mansion in La Condamine.

In the late 1850s, Monaco was an unlikely place for a resort to succeed. The lack of roads needed to connect Monaco to Nice and the rest of Europe, and the absence of comfortable accommodations for visitors, as well as the concessionaires’ failure to publicize the new resort, resulted in far fewer customers than was originally anticipated. Unable to raise the capital needed to operate the money-losing enterprise, Aubert and Langlois ceded their rights to Frossard de Lilbonne, who in turn passed it to Pierre Auguste Daval in 1857.
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Wikipedia

 


“Casino de Monte Carlo, Salle Touzet (Trente et Quarante)” c.1920

Salle Touzet Nord

Trente et Quarante (Thirty & Forty) is a French card game Wikipedia article.

London Bridge, London


London Bridge after the 1904 widening. Copyright G. D & D. L.

c.1910
(According to MetroPostcards, Gottschalk, Dreyfuss & Davis Co., Ltd. (G. D & D. L.) were in operation 1909 to 1915.)

Bridge built 1831, widened 1902, removed 1968

Approximate location, Google Street View.
Tower on theright is St Magus the Martyr and the white building with columns just to the left of the bridge is Fishmongers’ Hall

Wikipedia
London Bridge Museum & Educational Trust (might have to increase zoom on brower to make page bigger)

Abottsford, Melrose, Roxburghshire


The Study, Abbotsford

Google Maps

The Study was designed as Scott’s private sanctum and was the last room to be completed at Abbotsford in 1824.
Abbotsford: the home of Sir Walter Scott

ABBOTSFORD
AND SIR WALTER SCOTT’S STUDY.

The lion’s own den proper, then, is a room of about five-and-twenty feet square by twenty feet high, containing of what is called furniture nothing but a small writing-table in the centre, a plain arm chair covered with black leather–a very comfortable one though, for I tried it.–and a single chair besides, plain symptoms that this is no place for company. On either side of the fire-place their are shelves filled with duodecimos and books of reference, chiefly, of course, folios ; but except these there are no books save the contents of a light gallery which runs round three sides of the room, and is reached by a hanging stair of carved oak in one corner. You have been both at the Elisée Bourbon and Mulmaison, and remember the library at one or other of those places, I forget which ; this gallery is much in the same style. There are only two portraits, an original of the beautiful and melancholy head of Claverhouse, and a small full length of Rob Roy. Various little antique cabinets stand round about, each having a bust on it : Stothard’s Canterbury Pilgrims are on the mantlepiece; and in one corner, I saw a collection of really useful weapons, those of the forest craft, to wit–axes and bills and so forth of every calibre. There is only one window pierced in a very thick wall, so that the place is rather sombre ; the light tracery work of the gallery over-head, harmonizes with the books well. It is a very comfortable looking room, and very unlike any other I was in. I should not forget some Highland clamorers, cluttered round a target over the Canterbury people, nor a writing-box of carved wood, lined with crimson velvet, and furnished with silver plate of right venerable aspect, which looked as if it might be the implement of old Chaucer himself, but which from the arms on the lid must have belonged to some Indian Prince of the day of Leo the magnificent at the furthest.
Sydney Gazette, 16 May 1829