Loggia dei Lanzi, Florence, Italy


Firenze. – Loggia dell’ Orcagna
Publisher:Attilo Scrocchi (1906-1945)

Google Street View.

The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. . . . Sometimes erroneously referred to as Loggia dell’ Orcagna because it was once thought to be designed by that artist, it was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. Simone Talenti is also well-known from his contributions to the churches Orsanmichele and San Carlo. . . . The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his formidable landsknechts (In Italian: “Lanzichenecchi”, corrupted to Lanzi), or German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia’s roof was modified by Bernardo Buontalenti and became a terrace from which the Medici princes could watch ceremonies in the piazza.
Wikipedia

The Loggia dei Lanzi is a beautiful arched gallery that was built in the 14th century at the Piazza della Signoria right in front of the Palazzo Vecchio. This famous loggia served as a model for many loggias that were later built across Europe. The original purpose of the loggia was to shield dignitaries from the elements during ceremonies, public meetings and events. Today it houses a number of statues, the most notable being a statue showing Perseus after he killed Medusa.
A View on Cities

Construction occurred between 1376 and 1382. The beautifully proportioned open gallery was designed in a late Gothic style, a clear precursor to the soon to be popular Renaissance style. Michelangelo, one of the most prominent Renaissance artists, even proposed to extend the gallery along all sides of the Piazza della Signoria, but Cosimo I de’ Medici, Duke of Florence, eventually decided it would be too expensive. The loggia originally served to house the assemblies of the people, and hold public ceremonies and the official ceremonies of the Florentine Republic.
Florence Inferno

Mosque of Sultan Hassan, Cairo


Cairo – Mosque of Sultan Hassan

Published: Lehnert & Landrock, Cairo


Le Caire — Intérieur de la Mosquée Sultan Hassan
Cairo — Interior of the Mosque of Sultan Hassan
Published: Vegnios & Zachos

Google Maps.

Floor plan (Wikipedia Commons)

360 Cities (360o view of interior)

The Mosque-Madrassa of Sultan Hassan is a monumental mosque and madrassa located in the historic district of Cairo, Egypt. It was built between 1356 and 1363 during the Bahri Mamluk period, commissioned by Sultan an-Nasir Hasan. The mosque was considered remarkable for its massive size and innovative architectural components, and is still considered one of the most impressive historic monuments in Cairo today.

The mosque’s construction is considered all the more remarkable as it coincided with the devastation wrought by the Black Plague, which struck Cairo repeatedly from the mid-14th century onwards. Its construction began in 1356 CE (757 AH) and work proceeded for three years “without even a single day of idleness”. In fact, work appears to have continued even up to 1363, even after Sultan Hasan’s death, before eventually ceasing. An inscription on the mosque notes the name of amir Muhammad ibn Biylik al-Muhsini as the supervisor of the construction of the mosque. Unusually, his name was placed near Sultan Hasan’s in the inscription, which demonstrates how important the undertaking of the project must have been.
Wikipedia

The Complex of Sultan Hasan was built between 1356 and 1363, and included a madrasa, congregational mosque, and mausoleum. The free-standing complex, which had a monumental domed mausoleum flanked by minarets, only one of which survives, is located in a prominent position below the Citadel, toward which the monumental portal is oriented. The muqarnas-hood portal occupies the entire length of the façade. The height of the exterior walls and the arrangement of the windows give the facades a strongly vertical emphasis.
Archnet

Built between 1356 and 1363 by the Mamluk ruler Sultan Hassan, the scale of the mosque is so colossal that it nearly emptied the vast Mamluk Treasury. Historians believe that the builders of this mosque may have used stone from the pyramids at Giza. Early in construction, some design flaws in the colossal plans became apparent. There was going to be a minaret at each corner, but this was abandoned after the one directly above the entrance collapsed, killing 300 people. Another minaret toppled in 1659, then the weakened dome collapsed. The early history witnessed by the mosque was as unstable as its architecture: Hassan was assassinated in 1391, two years before completion, and the roof was used as an artillery platform during coups against sultans Barquq (1391) and Tumanbey (1517).
Sacred Destinations.

Guidhall (Palazzo dell’Arte della Lana), Florence


FIRENZE – Palazzo dell’Arte della Lana
c.1910

The Arte della Lana was the wool guild of Florence during the Late Middle Ages and in the Renaissance. It was one of the seven Arati Maggiori (“greater trades”) of Florence, separate from the Arti Minori (the “lesser trades”) and the Arti Mediane (the “middle trades”). The Arte della Lana dealt in woollen cloth and cooperated with the other corporations of bankers and merchants in administering the commune, both under the podestà and the Republic of Florence.

At the height of the industry the Arte della Lana directly employed 30.000 workers and indirectly about a third of Florence’s population, and produced 100,000 lengths of cloth annually. The Arte della Lana saw all the processes from the raw baled wool through the final cloth, woven at numerous looms scattered in domiciles throughout the city. Like other guilds, the Arte served only to coordinate the activities of its own members, who did not generally own the means of production or directly manage the processes. Its syndics ensured that quality standards were met and contracts were honored. The predecessor and until the mid-14th century the rival of the Arte della Lana was the powerful Arte di Calimala, a corporation of importers of raw cloth, who dyed and finished it.

The guildhall, the Palazzo dell’Arte della Lana, was completed in 1308, with an attached fortifiable tower-house. From its interior, where some 14th-century frescoes remain, a gallery designed by Bernardo Buontalenti links the palazzo with the church of Orsanmichele. The palazzo is now the seat of the Società Dantesca.
Wikipedia.

Wikimedia Commons: interior photos