Blinde-Ezelstraat or Blind Donkey Street, Bruges c.1910
Following is the York Room, so named because the Duke of York, brother of King George III of England, who had been on a vessel near Monaco when he was taken ill, died there in 1787. Despite the gloomy history, the room itself has beautiful frescoes, which decorate this room, represent the four seasons and are the work of the Genovese artist Gregorio de Ferrari representing the four seasons.
The marble mosaic table in the center of this room is the one designated to signing official documents. The room is furnished with ornate ebony Florentine furniture from the 17th century, a Boulle clock and royal portraits.
Palais Princier de Monaco
The Study was designed as Scott’s private sanctum and was the last room to be completed at Abbotsford in 1824.
Abbotsford: the home of Sir Walter Scott
AND SIR WALTER SCOTT’S STUDY.
The lion’s own den proper, then, is a room of about five-and-twenty feet square by twenty feet high, containing of what is called furniture nothing but a small writing-table in the centre, a plain arm chair covered with black leather–a very comfortable one though, for I tried it.–and a single chair besides, plain symptoms that this is no place for company. On either side of the fire-place their are shelves filled with duodecimos and books of reference, chiefly, of course, folios ; but except these there are no books save the contents of a light gallery which runs round three sides of the room, and is reached by a hanging stair of carved oak in one corner. You have been both at the Elisée Bourbon and Mulmaison, and remember the library at one or other of those places, I forget which ; this gallery is much in the same style. There are only two portraits, an original of the beautiful and melancholy head of Claverhouse, and a small full length of Rob Roy. Various little antique cabinets stand round about, each having a bust on it : Stothard’s Canterbury Pilgrims are on the mantlepiece; and in one corner, I saw a collection of really useful weapons, those of the forest craft, to wit–axes and bills and so forth of every calibre. There is only one window pierced in a very thick wall, so that the place is rather sombre ; the light tracery work of the gallery over-head, harmonizes with the books well. It is a very comfortable looking room, and very unlike any other I was in. I should not forget some Highland clamorers, cluttered round a target over the Canterbury people, nor a writing-box of carved wood, lined with crimson velvet, and furnished with silver plate of right venerable aspect, which looked as if it might be the implement of old Chaucer himself, but which from the arms on the lid must have belonged to some Indian Prince of the day of Leo the magnificent at the furthest.
Sydney Gazette, 16 May 1829
South of the Souss Valley and beyond the western end of the Anti Atlas, Tiznit is an old walled medina town surrounded by modern development. It was originally the site of a cluster of kasbahs, which were encircled in the 19th century by some 5km of pisé wall. It quickly became a trade centre and remains the provincial capital, a central point between the coastal towns and the Anti Atlas.
In 1881 Sultan Moulay Al-Hassan (1873-94) chose Tiznit as a base from which to assert his authority over the rebellious Berber tribes of the south. To do this, he built the town’s perimeter walls. Jewish silversmiths were moved into the town and gave it a reputation as a centre for silver. However, Tiznit remained embroiled in local sedition. In 1912, it was a base for resistance to the 1912 treaty that turned Morocco into a French and Spanish protectorate. This resistance movement was led by El-Hiba, the so-called “Blue Sultan” from the Western Sahara, who earned his nickname for always wearing his Saharawi veil.
The city was restored in 1882 by the Alawite sultan Hassan the first who has endowed it with a long wall still encircling the old Medina. Tiznit is a line of ramparts 7 km long and 8 m high, flanked by 56 towers and pierced by five historic gates.
Moroccan Tourism Infos
The old Medina of Tiznit is enclosed by a wall of five historic gates: Bab Aglou, Bab el Khemis, Bab Targa, Bab el Maader and Bab Oulad Jerrar. All of these gates are of Alawite tradition and strongly resemble those of the city of Essaouira.
This card is damaged in places (see unedited version below) so it’s hard to read. I think it says
“Chartes-de-Bretagne — the Town. Main street to Rennes.”
This is the church and, as far as I can work out, the same street, Rue de la Poterie, Chartres-de-Bretagne, Brittany
C’est un bien triste Village. (It is a sad village??)