The Horticultural Hall was built in 1876 for the Centennial International Exhibition and demolished in 1954. In 1976 the Fairmount Park Horticultural Center was built on the same site.
Excursion Steamer landing Passengers, Qunicy, Ill.
Old St. John’s Church Interior, Richmond, Va.
In 1775 a convention was held in this historic church to deliberate upon the oppressive measures adopted by the British Government for enforcing the collection of taxes levied upon the Colonies. Many members of the convention hesitated to commit Virginia to any act of resistance, but Patrick Henry though only 39 years old, flashed the electric spark which exploded with fiery eloquence, “Is life so dear, or peace so sweet, as to be purchased at the price of the chains of slavery? Forbid it Almighty God I know not what course others may take, but as for me, give me liberty or give me death.”
During the delivery of this immortal speech Henry stood in pew 72, now marked by white tablet shown in this view.
“The naturalistic decoration of the interior culminates in the central ensemble of the cenotaphs of Mumtaz and Shah Jahan and the screen that surrounds them. It attracts all visitors today with its spectacular flowers and plants inlaid in semi-precious stones.
“The perforated marble screen (mahjar-i mushabbak) was set up in 1643 to replace the original one of enamelled gold made by the goldsmith and poet Bibadal Khan on the occasion of the second anniversary of Mumtaz Mahal’s death in 1633, which was obviously deemed too precious. It took ten years to make and cost 50,000 rupees, less than one-tenth of the cost of the gold screen. Since 1994-1995 AD it has been protected from the hands of visitors by an ungainly aluminium grille in a wooden frame.”
“Within the screen are the upper cenotaphs of Mumtaz Mahal and Shah Jahan – what Lahauri and Kanbo call surat-i qabr, ‘the likenesses of tombs’. As usual in imperial Mughal mausoleums, the actual burials are below, in the lower tomb chamber, under cenotaphs of similar design.”
“Each cenotaph consists of a single block of stone, shaped like a sarcophagus, set on a stepped plinth which is placed in turn on a wider platform. The cenotaph of Shah Jahan is characterized as a male tomb by the symbol of a pen case on its top. While the cenotaphs conform to an established Mughal type, no other Mughal, nor any other personage in the Islamic world, was commemorated with such exquisite decoration. The lower cenotaph of Jahangir at Lahore is the only one that comes close; it was created at the same time as that of Mumtaz, probably by the same artists. The decoration of the cenotaphs with hardstone inlay was reserved for mem bers of the Mughal imperial family.”
No date. Postcard is printed on very thin card, more like paper.
(Hindi is probably wrong but it’s the closest I could get to what is on the card. Don’t rely on it for anything important.)
A portion of the main floor from the Cup and Saucer Gallery
Montague Bridgman Ltd.
“The Wedgwood Shop”
811 Government Street
Victoria, B.C. Canada.
Montague Bridgman Ltd.
More than 100 open stock patterns of English China, by Minton, Wedgwood, Royal Doulton, and other famous names
North America’s largest selection of Wedgwood.
Royal Doulton figurines — Cups and Saucers
Fine Crystal Distinctive Gifts.
Het Loo — Vestibule
The Roman Baths, Bath
The hot springs of Bath are of great antiquity, and baths are said to have been erected as early as BC 860. Tradition tells that St. David and King Arthur visited the springs early in the sixth century, when the springs received the blessing of the church.
Not sure when the “restoration” was. Best guests is refer to the 1890s redevelopment/reopening of the site. The carved statues date from then (1894).
Caption on back:
Bath: Roman Baths and Abbey
Within a distance of a few yards are the Roman Baths, built about A.D. 55; the Abbey, erected in 1499; the King’s Bath of 17th and 18th century constructions, and the modern Bathing establishment containing the latest scientific appliances for the administration of the radioactive waters for the cure and relief of many complaints.
Cards date from 1910-1940.
Description on back:
The Main Banking Room of the Hibernia Bank & Trust Company is finished in Tavernelle marble and American walnut and covers an area of one-half acre. The thirty-four cages and three entrances are of appropriately decorated bronze. The subdued gold of the ceiling adds the necessary warmth to the color scheme.