Five Rise Locks, Bingley, England


Five Rise Locks
Postmarked: 1907

Google Street View

YouTube: The Story of The Bingley Five Rise Locks – Viewed from Narrowboat and Drone

Bingley Five-rise lock staircase is the most spectacular feature of the Leeds and Liverpool Canal. It is situated about half a mile north of Bingley Station, about 17 miles north west of Leeds and about 12 miles south east of Skipton. A lock staircase is where the locks open directly from one to another, with the top gate of one forming the bottom gate of the next. This unique 5-rise staircase has a total rise of 60 feet.
Pennine Waterways (also a lot of photos)

The five-rise opened on 21 March 1774 and was a major feat of engineering at the time. When the locks and therefore the canal from Gargrave to Thackley was opened in 1774, a crowd of 30,000 people turned out to celebrate. The first boat to use the locks took just 28 minutes.
Wikipedia


Bingley Five Rise Locks
Publisher: Francis Frith & Co, Reigate

Native Boats, Kolkata, India


View of Native Boats on Hooghly, Calcutta
c.1910

Wikipedia Commons: Boats in West Bengal

“I was born on the banks of the Madhumati (a river in present-day Bangladesh),” said Biswas. “I am familiar with all the rivers of East Bengal. My father was a merchant and we used to own boats. As a child, I have seen boat races in East Bengal. If we were to step back in time by only a hundred years, in Bengal, for transport, for business, there was no option other than boats. You will find the term ‘nou-sadhan’ in many texts about Bengal.”

“This is riverine country,” said Biswas. “What we know and think of as Bengal is actually a large river delta.” Bhattacharyya explained further: “You will find different kinds of rivers in Bengal, from the shallow, rapid streams of North Bengal, to the Hooghly of Kolkata, with its slow and stately gait.”You will find different kinds of rivers in Bengal, from the shallow, rapid streams of North Bengal, to the Hooghly of Kolkata, with its slow and stately gait.” Each kind of river demands a specific boat. “If I were to go to a boat-maker today and ask him to make me a boat, the first question he would ask me is, on what river would the boat operate,” said Bhattacharyya. The dinghy, commonly seen at the ghats of Kolkata, works fine in the waters of the Hooghly, whose current is weak. “But it would be useless in North Bengal because a dinghy cannot travel against the current due to its shape.”
Quartz India: Inside a boat museum preserving eastern India’s disappearing river traditions

Madeira Walk, Brighton, England


Madeira Walk, Kempton, Brighton
c.1915
Publisher: Alfred William Wardell, Brighton
Google Street View (approximate)

Madeira Terrace was originally built as a covered promenade to attract tourists from London when the new railway opened in the late 1800s. It was built by borough surveyor Philip Lockwood and opened to the east of Royal Crescent in 1890, before being extended to meet the Aquarium in 1927 to 1929. It is considered the longest cast iron structure in Britain, running from the Aquarium Colonnade to the Volk’s railway maintenance building.
Brighton & Hove City Council: Madeira Terrace restoration

The Madeira Drive runs from the Aquarium to King’s Cliff, Kemp Town. The sea-wall is a fine work, about 25 feet thick at the base and 3 feet at the summit. The creepers and shrubs by which the wall is partially screened do much to relieve what would oherwise be a rather dreary prospect. An Arcade, about half a mile long, running eastward from a point near the aquarium, with an asphalted terrace walk on the top, and provided with seats, affords cover in wet weather; and near the eastern extremity is a large Shelter Hall and Reading-Room, similar to that on the beach at the foot of West Street. Refreshments can be obtained in the Shelter Hall, and time-tables, etc., consulted. A Lift communicates with the Marine Parade above. Here, too, is a Bandstand. The slopes at the eastern end of the Madeira Drive, known as the Duke’s Mound, are planted with shrubs, and the carriage drive extends as far as Black Rock.
Brighton Toy Museum (has more pictures)

Madeira Terrace, Madeira Walk, lift tower and related buildings (Madeira Terrace) were built between 1890 and 1897 to the design of the Brighton Borough Engineer, Philip Lockwood (1821-1908). They were constructed by Messrs J Longley and Co of Crawley, at a combined cost of £13,795 Earlier, between 1830 and 1833, the natural East Cliff at Brighton was made good by the application of a concrete covering, and was then planted up to achieve a green wall which is now believed to be the oldest and largest of its kind in Europe, with over 100 species of flowering plants recorded. The concept of attaching a cast-iron terrace to the cliff was inspired by the innovative construction, expressed at the Great Exhibition, Crystal Palace of 1851. The idea was promoted by one of the great iron foundries of the Victorian period, Macfarlane and Co of Glasgow as early as 1874, but was rejected as being unworkable. By 1880, public funding had been arranged and the concept became a technical reality. Madeira Terrace was built under the terms of the Brighton Improvement Act of 1884 and was open to the east of the Royal Crescent by 1890, but controversy prevented its completion to the west.
Historic England

Weavers House, Canterbury, England


Canterbury. The Weavers.
Publisher: Photochrom Co. Ltd.

Google Street View (approximate)

The Old Weavers House takes its name from the influx of Flemish and Huguenot weavers who settled in the area after fleeing from religious persecution during the 16th and 17th centuries. Elizabeth I granted the Flemish weavers the right to establish their businesses in Canterbury, and they are known to have used this and other similar buildings nearby.
Britain Express

THE WEAVERS OF CANTERBURY.
Ancient Home.
By C. W. Beck.
The old home of the Canterbury Weavers at Canterbury, Kent, is quaintly beautiful. It dates back possibly to the fifteenth century, although, of course, restorers have since done their best with it. Nevertheless, it is still lovely. Stand near it on a moon-light night, and drink in the picturesqueness of the dark masses of black shadow and reflection, the bright masses of cold light-there is no corner more charming in Nuremberg or Rothenberg. The sluggish waters of the Stour flow beneath and the air is tremulous with the chiming of bells from many a steeple.

The persecution of the Protestants by the Duke of Alva, under Phillip II. of Spain, in Flanders, which began during the reign of King Edward VI., gave new life to trade in England by the communication of paper, silk, woollen, and other manufactures. The “Walloons” left Flanders and fled to England from the cruelties inflicted on them on account of their religion. On the accession of Queen Elizabeth and the establishment of the Protestant religion they came over in bodies and were welcomed by the Queen, who granted them her protection.

Those who were weavers in fine silk chose Canterbury for their habitation, where they might have the benefit of the river Stour. and easy communication with the metropolis. Those who were permitted to settle in Canter-bury consisted only of eighteen housekeepers. They sent a petition to the Mayor and alder-men of Canterbury for the grant of certain privileges for their convenience and protection. The Queen, in 1561, granted them the Undercroft of the Cathedral Church, as a place of worship. They increased as persecution abroad grew, and in 1676 Charles II. granted them a charter. This enabled them to be-come a company by the name of the Master, Wardens, Assistants, and Fellowships of Weavers, John Six becoming their first Master.
Nearing 1800 the silk weaving manufacture of Canterbury greatly decayed, the most part being removed to Spitalfields in London. An ingenious and public spirited manufacturer of Canterbury, John Callaway, in 1787 invented a beautiful new article of fabric called “Canterbury muslins.” He combined the old weaving with the inventions of Sir Richard Ark-wright.

To-day the old weaving Industry is represented by the many gabled building overhanging one branch of the Stour, where visitors may see something of the old home weaving still carried on, and may rejoice in a delightful old house, one of the most picturesque of its kind remaining. The window boxes give a pleasant bit of colour to the view of those who pause on the Westgate bridge and look down the stream.
Sydney Morning Herald, 11 June 1938

The Weavers of Canterbury whose old house was described and illustrated in the ‘Herald” by C W Beck have recently abandoned the old place for a modern shop, not far from the Westgate Bridge. The present weavers numbering about forty, are descendants of the original weavers. They are very consolvatlve, and do not mix with the other citizens of Canterbury.
Sydney Morning Herald, 18 June 1938

Gorges of Rhumel, Constantine, Algeria


CONSTANTINE. – Gorges du Rhummel. – Les Voutes Naturelles.
1910s
Publisher: Levy Sons & Co. (1895-1919)

Google Street View (general location)

Constantine – a city not so much built as draped, clinging to ravines and peaks that soar above the river Rhumel (Malek Haddad, Algerian poet born in 1927 in Constantine). Once known as Cirta, the capital of the Kingdom of Numidia more than 2000 years ago, the city was given its current name in 313AD by Emperor Constantine the Great. While it was at the crossroads of civilisation for centuries, it remains an unknown city to many. Constantine is renowned for its topography – a mountainous setting rising 649m above sea level. Over millennia the Oued Rhumel (Rhumel River) has carved deep ravines and gorges through the landscape, leaving rocky outcrops on which the city is built and creating a natural fortress that was easy to defend. Bridges connect the peaks and outcrops, creating spectacular vistas where the buildings seem to merge with the cliffs.
ASA Cultural Tours

Suez Canal Company Offices, Port Said, Egypt

Street View


PORT SAID. Palais D’Administration du Canal
Might be postmarked 1906
Pubished: Lichtenstern & Harari, Cairo (1902-1912)


PORT-SAÏD. — Suez Canal Office. — LL
c.1910
Publisher: Levy Sons & Co. (1895-1919)
On back:
PORT-SAÏD. — Bureaux de la Compagnie du Canal de Suez
Offices of the Suez Canal Company


PORT-SAÏD. — Suez Canal Office. — LL
c.1910
Publisher: Levy Sons & Co. (1895-1919)
On back:
PORT-SAÏD. — Bureaux de la Compagnie du Canal de Suez
Offices of the Suez Canal Company

Mont Orgueil Castle, Jersey


Mont Orgueil Castle I — Jersey — Château du Mont Orgueil I
c.1910
Pictorial Stationary Co. (1897-1914)

Street View

Jersey Heritage: video tour

Mont Orgueil has been set onto its rocky outcrop above the town of Gorey since 1212. At the time, it was a state-of-the-art stronghold, and its construction was a matter of urgency. In 1204, Normandy – which lies just 17 miles to the east – had been seized by France, having been tied to the English crown since the Norman Conquest of 1066. What had been a friendly neighbour was suddenly the foe next door, and Mont Orgueil had a job to do, monitoring the Channel for any signs of enemy action. It never fell into French hands.

Although its soaring towers and sturdy walls were the best defence that money could build in the 13th century, by the 15th Mont Orgueil was obsolete, thanks to the hilly terrain which surrounds it – a landscape which left it open to cannon fire now that gunpowder had been invented.
The Telegraph: Five reasons why visiting Mont Orgueil in Jersey is a must

The castle is built on a rocky promontory facing the coast of Normandy and overlooking the Bay of Grouville. There are steep slopes and high cliffs on three sides giving an almost impregnable position. In 1204, King Philip of France took Normandy back but King John of England kept the administration of the islands. The Channel Islands became the front line between England and France and work began on Mont Orgueil under the Warden of the Isles, Hasculf du Suligny.

The site chosen had been used as a defensive place since the Iron Age and possibly as early as the Neolithic period. The earth rampart and ditch would have been degraded but would have provided a good start for the new fortress which was built on the rocky ridge. The shape of the stone buildings was determined by the narrowness of the ridge, with a hall being connected to two square towers by long passageways. Access to the hall was through an enclosed staircase. The area inside the ramparts below was further strengthened in 1224-5 when 1,000 tree trunks were sent to the islands from the New Forest to make palisades for the two new castles. In addition Jersey also received five cartloads of lead, the timber from 20 oak trees and 60 bags of nails to assist with the building.
The Island Wiki

Gatehouse Gazetter

Wikipedia

Pierrots, Scarborough, England


The Pierrots, Scarborough.
1900s
Publisher: Gottschalk, Dreyfuss & Davis Co, London

Google Street View.

Pierrot troupes, alongside Punch & Judy and pantomime are one of the very few, indigenous, British performance forms – they are an important part of our cultural heritage and folk traditions. The origins of the pierrot character come from the medieval Italian Comedy or Commedia d’ell Arte, as do those of Harlequin & Columbine, whom we associate with pantomime and Mr Punch of Punch & Judy fame. What is unique about pierrot in Britain, is that there evolved troupes of pierrots specifically at the seaside: the story begins with the development of the seaside resorts and the mass market of holidaymakers as the industrial revolution took hold.
Seaside Follies

[The] story begins with theatrical entrepeneur Will Catlin (real name William Fox) whose popular pierrots were a regular sight on Scarborough’s South Bay during the end of the nineteenth century and beginning of the twentieth. Often referred to as the ‘sad clown’ the pierrot character has a long history – dating back to the seventeenth century, but became popular during the nineteenth century in France and beyond, as a recurring motif in theatre. With a whitened face and baggy attire, the pierrot was a naive, innocent character, whose antics included comedy, mime, song and dance.

Catlin, a former music hall performer first visited Scarborough in 1894, and it was during that time that he formed his renowed group of exclusively all-male pierrots. Whilst his pierrots toured widely – even over the winter months, when they visited a variety of cities and towns – in Scarborough they performed (during the early days) on a makeshift stage on the South Bay. They were not the only pierrot group in town – George Royle’s ‘Imps’ performed a similar act on the South Sands from the early 1900s, but adopted different tactics after being invited to entertain audiences at Floral Hall in Alexandra Gardens. Unlike Catlin’s group, Royle’s performers were male and female, and in their new venue wore period costumes, calling themselves the Fol-de-Rols.
Stories from Scarborough

The Grand Hotel is a large hotel in Scarborough, North Yorkshire, England, overlooking the town’s South Bay. It is a Grade II listed building that is owned by Britannia Hotels. At the time of its grand opening in 1867, it was the largest hotel and the largest brick structure in Europe.
Wikipedia.