Norwich Cathedral is an English cathedral located in Norwich, Norfolk, dedicated to the Holy and Undivided Trinity. It is the cathedral church for the Church of England Diocese of Norwich and is one of the Norwich 12 heritage sites.
The cathedral was begun in 1096 and constructed out of flint and mortar and faced with a cream-coloured Caen limestone. An Anglo-Saxon settlement and two churches were demolished to make room for the buildings. The cathedral was completed in 1145 with the Norman tower still seen today topped with a wooden spire covered with lead. Several episodes of damage necessitated rebuilding of the east end and spire but since the final erection of the stone spire in 1480 there have been few fundamental alterations to the fabric.
From Bell’s Cathedrals: The Cathedral Church of Norwich, C.H.B. Quennell, 1898:
Norwich Cathedral stands on the site of no earlier church: it is to-day, in its plan and the general bulk of its detail, as characteristically Norman as when left finished by the hand of Eborard, the second bishop of Norwich.
The church was founded by Herbert de Losinga, the first bishop, as the cathedral priory of the Benedictine monastery in Norwich (a sketch of its constitution at this period will be found in the Notes on the Diocese); the foundation-stone was laid in 1096 on a piece of land called Cowholme,—meaning a pasture surrounded by water,—and the church was dedicated to the Holy Trinity.
The foundation-stone of the cathedral was laid in 1096; and upon it, according to the Registrum Primum, the following inscription is said to have been placed:—”In nomine patris et filii et spiritus Sancti Amen Ego Herbertus Episcopus apposui istum lapidem.” (In the Name of the Father and of the Son and of the Holy Ghost, Amen, I, Herbert the Bishop, have placed this stone.)
It was the custom of the Norman builders to start building from the easternmost part of the church, as the more sacred part of the structure, and then build westwards; so that probably this foundation-stone, for which diligent search has been made in vain, was in the eastmost wall of the original Norman Lady Chapel—in fact, the Registrum Primum describes how Herbert began the work “where is now the chapel of the Blessed Mary.” This chapel was demolished to make way for the beautiful thirteenth-century Lady Chapel which Dean Gardiner destroyed. The thirteenth-century builders of the Lady Chapel may have used Herbert’s foundation-stone in their walling; Dean Lefroy quite lately, while repairing parts of the tower and east end, came across pieces of stone with beautiful “dog-tooth” ornament upon them, which had been used to repair the masonry that, it was evident, at one time had formed part of the thirteenth-century Lady Chapel. This must be so, since in no other part of the building save the arches now remaining in the extreme eastern wall of the procession path, which at one time gave access to the Lady Chapel, does such ornament occur.
It is probable, and the more generally accredited supposition, that Herbert built the presbytery with its encircling procession path and the original trefoil of Norman chapel radiating therefrom;—the choir and transepts with the two chapels projecting eastwards and the first two bays of the nave. Harrod advances a theory that he completely finished the whole of the cathedral church, as well as the offices for the housing of the sixty monks who were placed therein, in 1101. He also built the episcopal palace on the north side of the cathedral, of which some parts remain to this day incorporated with work of a later period; he seems to have founded and built other churches in Norwich and Yarmouth. He died on the 22nd of July 1119, in the twenty-ninth year of his episcopate, and was buried before the high altar in his own cathedral church.
The church of the Santissima Trinità dei Monti, often called merely the Trinità dei Monti, is a Roman Catholic late Renaissance titular church in Rome, central Italy. It is best known for its commanding position above the Spanish Steps which lead down to the Piazza di Spagna. The church and its surrounding area (including the Villa Medici) are the responsibility of the French State.
In 1494, Saint Francis of Paola, a hermit from Calabria, bought a vineyard from the papal scholar and former patriarch of Aquileia, Ermolao Barbaro, and then obtained the authorization from Pope Alexander VI to establish a monastery for the Minimite Friars. In 1502, Louis XII of France began construction of the church of the Trinità dei Monti next to this monastery, to celebrate his successful invasion of Naples. Building work began in a French style with pointed late Gothic arches, but construction lagged. The present Italian Renaissance church was eventually built in its place and finally consecrated in 1585 by the great urbanizer Pope Sixtus V, whose via Sistina connected the Piazza della Trinità dei Monti (outside the church) to the Piazza Barberini across the city.
In front of the church stands the Obelisco Sallustiano, one of the many obelisks in Rome, moved here in 1789. It is a Roman obelisk in imitation of Egyptian ones, originally constructed in the early years of the Roman Empire for the Gardens of Sallust near the Porta Salaria.
Although they arrived in Quito in 1541, in 1580 the Dominicans started to build their temple, using the plans and direction of Francisco Becerra. The work was completed in the first half of the 17th century. Inside the church are valuable structures, such as the neo-Gothic main altar. This was placed in the late 19th century by Italian Dominicans. The roof of the Mudéjar style church features paintings of martyrs of the Order of Saint Dominic. The roof of the nave is composed of a pair and knuckle frame, coated inside by pieces of tracery. In the museum located on the north side of the lower cloister are wonderful pieces of great Quito sculptors such as the Saint Dominic de Guzmán by Father Carlos, the Saint John of God by Caspicara, and the Saint Thomas Aquinas by Legarda. Another Baroque piece that stands is the Chapel of Nuestra Señora del Rosario, which is a recognizable feature of the architecture of Quito. This chapel was built beside the church, in the gospel side. In this was founded the largest fraternity in the city of Quito.
Where the Spanish conquerors heard the first Mass on the occasion of the founding of Quito, a chapel was built. The chapel was known as Veracruz, now Belen. Right there was placed a crucifix carved in wood by the famous colonial artist Caspicara, between 1694 and 1697 by the “Cofradía de Guápulo”, Confraternity of Guápulo, by order of the Bishop of Quito.
Five-storied pagoda in the Kohfukuji Buddhist temple complex. Hananomatsu is the tree.
Kofukuji used to be the family temple of the Fujiwara, the most powerful aristocratic clan during much of the Nara and Heian Periods. The temple was established in Nara at the same time as the capital in 710. At the height of Fujiwara power, the temple consisted of over 150 buildings.
Nara was the capital of Japan from 710 to 784. During this period the framework of national government was consolidated and Nara enjoyed great prosperity, emerging as the fountainhead of Japanese culture.
Historic Monuments of Ancient Nara (UNESCO)
The Five-Story Pagoda, which was completely restored in 1426, is the second tallest pagoda in Japan at 50.1m, behind the 55m-tall pagoda at Toji Temple in Kyoto. The pagoda had burnt down no less than five times before the 15th century.
From the temple website:
History of Kohfukuji
In the eighth year of the reign of Emperor Tenji (669 CE), Kagami no Okimi, consort of the statesman Nakatomi (Fujiwara) no Kamatari, founded a Buddhist chapel on the family estate in Yamashina Suehara (in modern-day Kyoto Prefecture) to pray for Kamatari’s recovery from illness. In this temple, which came to be known as Yamashinadera, Kagami no Okimi enshrined a Shaka triad (Sakyamuni, the historical Buddha, along with two attendant Bodhisattvas) that had originally been commissioned by Kamatari. In the wake of the relocation of the capital as a result of the Jinshin Rebellion of 672, the temple was disassembled and moved to Umayasaka in Nara prefecture, where it was re-erected and named Umayasakadera.
Shortly after the establishment of the Heijo Capital in 710, Yamashinadera relocated to its present location in what is now the city of Nara. The temple, now called Kohfukuji (“The Temple that Generates Blessings”), grew rapidly in size under the patronage of successive emperors and empresses, as well as continued support from members of the powerful Fujiwara family. Over time, it developed a particularly close connection with the “Northern House” of the Fujiwara clan, under whose sponsorship it accumulated sufficient wealth and power to rank as one of the “Four Great Temples” of the Nara Period (710-784) and one of the “Seven Great Temples” of the Heian Period (794-1180).
The Kohfukuji Temple Complex
THE FIVE-STORIED PAGODA
The five-storied pagoda was originally erected in 730 by Empress Komyo, the daughter of Kohfukuji’s founding patron, Fujiwara no Fuhito. Over its long history, the building burned down a total of five times, with the current reconstruction dating to around the year 1426. At a total height of 50.1 meters, it is the second tallest wooden pagoda in Japan today. Famous for its deep eaves, the structure successfully blends references to Nara-period architecture with the dynamic architectural style of the medieval period. The original Nara-period building is thought to have risen to a height of around 45 meters, making it the tallest man-made structure in Japan at the time.
The Kohfukuji Temple Complex: the Five Storied Pagoda
On the stone monument is written “Monument of Hananomatsu”.
Actually, there was a pine tree in front of the Tokondo hall.
It was called Hananomatsu.
It is said that the pine trees were planted by Kobo Daishi.
Kobo Daishi is the posthumous name of the priest called Kukai about 1,200 years ago.
Kukai is the one who opened a new sect of Buddhism called Shingon sect.
For this reason, he has a name that respects Kobo Daishi.
The pine grew big, but it withered in 1937.
In 1940, successor pine was planted.
But that pine withered in 2008.
Thereafter, pines have not been planted there.
Tourist Spots in Kyoto, Nara, Osaka
(That last part seems to be written backwards? I don’t know Japanese. My best guess is:)
South/Minami Gate (Meiji Jingu)
After the emperor’s death in 1912, the Japanese Diet passed a resolution to commemorate his role in the Meiji Restoration. An iris garden in an area of Tokyo where Emperor Meiji and Empress Shōken had been known to visit was chosen as the building’s location.
Construction began in 1915 under Itō Chūta, and the shrine was built in the traditional nagare-zukuri style, using primarily Japanese cypress and copper. The building of the shrine was a national project, mobilizing youth groups and other civic associations from throughout Japan, who contributed labor and funding. It was formally dedicated in 1920, completed in 1921, and its grounds officially finished by 1926.
The original building was destroyed during the Tokyo air raids of World War II.
Official website (uses Flash)
No date clues on the card, but this website has the same images, so most likely 1910s.
Feuding monks at the Church of the Nativity in Bethlehem don’t just cast the first stone—they stockpile rocks in anticipation of future altercations. Several holy men landed in the hospital two Christmases ago after a fight broke out over the dusting of church chandeliers. The occasional brawls at the 1,700-year-old basilica, believed to mark the birthplace of Jesus Christ, reflect the difficulty of housing three Christian denominations under a single roof.
And now that roof is rotting, threatening the structural integrity of the building. Parts of the wooden truss structure date to the 15th century, and holes in the timbers allow dirty water to drip upon the precious paintings and mosaics below. The problem has been worsening for decades, but the resident clerics—from the Greek Orthodox and Armenian Orthodox churches and the Franciscan order of the Roman Catholic Church—are jealous of each other’s claims of custody and have been unable to agree on a plan of action.
Endangered Site: Church of the Nativity, Bethlehem (Smithsonian Magazine)
The present Church of the Nativity is one of the earliest Christian structures. The original Basilica, erected in the 4th century by Emperor Constantine, was completely destroyed in the Samaritan Revolt of 529 A.D. It was replaced during the reign of Justinian (527-65) on the same site, by a larger Basilica, slightly different in plan and incorporating different parts of the original building. Evidence of the turbulent history of the church can be readily seen in the fabric of the building; for centuries it was one of the most fought-over of the Holy Places. It was only by chance that this building escaped destruction during the Persian invasion of A.D. 614. It was the only major church in the country to be spared. Later, the building was seized and defended by a succession of Moslem and Crusader armies; this explains the fortress-like appearance of the church’s exterior. This is also a common feature of most of the ancient religious buildings in the Holy Land. In the course of time, the complex was expanded by the addition of several chapels and monasteries belonging to different Christian Churches.
Church of the Nativity: History & Structure:
Sanctuary Bethlehem has virtual tour (I’d recommend using the on screen controls rather than the mouse), 3D models and a lot of information about various rooms, buildings, caves etc. (under Visit menu)