Pubished: F Skeen & Co, Colombo, Sri Lanka
Used by the kings of France from the 12th century, the hunting lodge of Fontainebleau, standing in the heart of the vast forest of the Ile-de-France in the Seine-et-Marne region, was transformed, enlarged and embellished in the 16th century by King François I, who wanted to make it a “new Rome”. Surrounded by an immense park, the palace, to which notable Italian artists contributed, combines Renaissance and French artistic traditions. The need to expand and decorate this immense palace created the conditions for the survival of a true artistic centre.
The construction of the palace began in 1528. The modifications undertaken later by François I’s successors and carried out on different scales until the 19th century have left their imprint on the physionomy of the present complex, which today comprises five courtyards placed in an irregular manner and surrounded by an ensemble of buildings and gardens.
UNESCO World Heritage listing
PALAIS DE FONTAINEBLEAU
Pavillon Louis XV – Entrée du Musée Chinois et l’Étang aux Carpes
Louis XV Pavilion – Entrance to the Chinese Museum and the carps pond.
Published by Musées Nationaux
Chedworth Roman Villa is a Roman villa located near Chedworth, Gloucestershire, England. It is one of the largest Roman villas in Britain. The villa was built in phases from the early 2nd century to the 4th century, with the 4th century construction transforming the building into an elite dwelling arranged around three sides of a courtyard. The 4th century building included a heated and furnished west wing containing a dining-room (triclinium) with a fine mosaic floor, as well as two separate bathing suites – one for damp-heat and one for dry-heat. The villa was discovered in 1864, and it was excavated and put on display soon afterwards.
As best I can tell, this is a photo of this little building.
The Study was designed as Scott’s private sanctum and was the last room to be completed at Abbotsford in 1824.
Abbotsford: the home of Sir Walter Scott
AND SIR WALTER SCOTT’S STUDY.
The lion’s own den proper, then, is a room of about five-and-twenty feet square by twenty feet high, containing of what is called furniture nothing but a small writing-table in the centre, a plain arm chair covered with black leather–a very comfortable one though, for I tried it.–and a single chair besides, plain symptoms that this is no place for company. On either side of the fire-place their are shelves filled with duodecimos and books of reference, chiefly, of course, folios ; but except these there are no books save the contents of a light gallery which runs round three sides of the room, and is reached by a hanging stair of carved oak in one corner. You have been both at the Elisée Bourbon and Mulmaison, and remember the library at one or other of those places, I forget which ; this gallery is much in the same style. There are only two portraits, an original of the beautiful and melancholy head of Claverhouse, and a small full length of Rob Roy. Various little antique cabinets stand round about, each having a bust on it : Stothard’s Canterbury Pilgrims are on the mantlepiece; and in one corner, I saw a collection of really useful weapons, those of the forest craft, to wit–axes and bills and so forth of every calibre. There is only one window pierced in a very thick wall, so that the place is rather sombre ; the light tracery work of the gallery over-head, harmonizes with the books well. It is a very comfortable looking room, and very unlike any other I was in. I should not forget some Highland clamorers, cluttered round a target over the Canterbury people, nor a writing-box of carved wood, lined with crimson velvet, and furnished with silver plate of right venerable aspect, which looked as if it might be the implement of old Chaucer himself, but which from the arms on the lid must have belonged to some Indian Prince of the day of Leo the magnificent at the furthest.
Sydney Gazette, 16 May 1829