Publisher: Phototypie Co, Neuchâtel (1912-1931)
(That last part seems to be written backwards? I don’t know Japanese. My best guess is:)
South/Minami Gate (Meiji Jingu)
After the emperor’s death in 1912, the Japanese Diet passed a resolution to commemorate his role in the Meiji Restoration. An iris garden in an area of Tokyo where Emperor Meiji and Empress Shōken had been known to visit was chosen as the building’s location.
Construction began in 1915 under Itō Chūta, and the shrine was built in the traditional nagare-zukuri style, using primarily Japanese cypress and copper. The building of the shrine was a national project, mobilizing youth groups and other civic associations from throughout Japan, who contributed labor and funding. It was formally dedicated in 1920, completed in 1921, and its grounds officially finished by 1926.
The original building was destroyed during the Tokyo air raids of World War II.
Official website (uses Flash)
Google Strew View: difficult to find but it’s possibly here.
On back: M. & D., Excellent series, Paternoster Row
View of Algiers city and harbour
G. Barsanti e figli – Grandi gallerie di sculture – Pisa
The history of the Monumental Cemetery began in the 12th century, when Archbishop Ubaldo Lanfranchi (1108-78) brought back shiploads of holy dirt from Golgotha (where Christ was crucified) during the Crusades.
In 1278, Giovanni di Simone (architect of the Leaning Tower) designed a marble cloister to enclose the holy ground, which became the primary cemetery for Pisa’s upper class until 1779. In the 14th and 15th centuries, the walls of the Camposanto were decorated with frescoes by Taddeo Gaddi, Spinello Aretino, Benozzo Gozzoli, Andrea Bonaiuti, Antonio Veneziano, and Piero di Puccio.
Alex Vincent’s Kunsuorlag, Eneberettiget, No. 14
The Old Stock Exchange dates back to 1625 and is one of the oldest buildings in Copenhagen. King Christian IV had realized the importance of increased trade and commerce, and so he had this grand building erected. At the time of its inauguration, the building had room for at least 40 market stalls. The Old Stock Exchange was then surrounded by water from three sides, so ships could unload their cargo directly at the wharf in front.
Roof turned to canon balls during war
The Old Stock Exchange was built in Dutch Renaissance style. King Christian IV had originally covered the roof with lead, but during the Swedish occupation of Copenhagen 1658-59, much of this lead was removed to produce cannon balls, and the holes in the roof were only partly covered with tin and tile. Not until the end of the 19th century was the building roofed with copper.
The four intertwined dragon tails of the dragon spire are topped by three crowns, symbolizing the Scandinavian empire (Denmark, Norway, and Sweden).
Børsen is one of the old buildings in Copenhagen and like Rosenborg Slot and Rundetårn, it is one of the buildings of which we remember King Christian IV. The building is built in Dutch renaissance style but is characterized by the King’s taste, like the garrets on the roof and the spire.
In 1618 Christian IV asked the engineer Johan Semb to construct a new part of town, Christianshavn, and a dam was made facing Amager on top of which, the first “Amagerbro” (today known as Knippelsbro) was built. Christian IV had realized the importance of trade and business and decided to make Copenhagen the great trade centre and grand city of the future. However, you cannot have a grand city without an exchange and in 1618 the King asked Lorenz van Steenwinckel to start building Børsen, where the dam facing Christianshavn is connected with land on Slotsholmen.
Børsen as a market place In the late 16th twenties, Børsen was taken into use by renting out booths for merchants. From the street you could enter the ground floor and visit 40 booths. The whole of Børsen’s first floor contained only one big room with rented booths in the centre and along the windows.
(More information and photos of rooms.)
Given its distinctive and recognisable shape, the tower, which owes its name to the architect Antonio Averulino, also known as il Filarete, has become a symbol of Milan. The tower that Averulino designed in 1452 was elegant and embellished with marble inserts, however his plans were executed by Lombard architects, who lacked the imagination of their Tuscan counterpart. Less than a century after its completion in 1521, the tower, which had been converted into a gunpowder magazine, collapsed. The current edifice is the result of a tireless study of the available documents and iconography, by Luca Beltrami, in order to reconstruct the tower as faithfully to the renaissance original as possible. Inaugurated in 1905, the Filarete tower was dedicated to King Umberto I, assassinated only 5 years earlier in Monza. Beltrami inserted a clock into the top cubic section of the tower, whose radiant sun motif was inspired by the Sforza coat of arms. In addition he commissioned Luigi Secchi to sculpt a statue of Saint Ambrose in late 14th century style for the niche, as well as a Candoglia marble bas-relief portraying Umberto I on horseback. Finally, in commemoration of the Sforza, Beltrami decided to add to the tower the painted coats of arms of Francesco, Galeazzo Maria, Gian Galeazzo, Ludovico il Moro, Massimiliano and Francesco II.
Castello Sforzesco (Official Website)
c.1910 Published Levy & Sons (LL on end of caption).
Streets, from the left, Rue Delambre, Rue des Vergeux, Rue des Sergents (in the centre) & Rue des Trois Cailloux